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Contrasting colors create visual intrigue in “Exxinia,” a seriously sensuous series by Tim Fox, featuring the mysteriously beautiful model, Ennie. A simple but dramatic setting forms the backdrop for this explicit gallery, which follows Ennie through a slow and tantalizing striptease and culminates in heart-stopping images of the Czech princess.
Ennie is another European beauty among Met’s extensive roster of models from across the globe. A university student, Ennie models in her spare time. She has appeared at Met for several years, working with many of Met’s top artists. Her dark hair has been the inspiration for several dramatic galleries, though never one as vibrant as the current selection.
As the photo shoot begins, Ennie is dressed in a demure bra and panty set, and wears a black fur stole thrown over her shoulders. Her long, shiny tresses are slicked back to frame her oval face. Fox begins the series with numerous lovely portraits of Ennie in her lovely lingerie. It is dressed in this ensemble that we encounter Ennie in the first feature image from this series. In this attractive portrait of the model, Ennie’s fur stole rises up to reveal the curve of her bra, and a chain of baubles falls against her flat stomach. Her sheer panties cling to the curve of her hips, revealing little but suggesting much more.
It doesn’t take long for this poised young model to heat up the scene. First she sheds her stole, next her bra, and finally her panties, posing for Tim Fox in nothing more than her sky-high heels. Throughout the drawn-out process, Fox treats us to several close up shots of the model’s body as she lowers her bra straps, tugs at her slides off her clinging underwear. Once nude, Fox moves in again to capture every curve of this model’s toned body.
In the second image, Ennie is seated against the wall, framed by a camera angle that is slightly off-kilter. She pulls her knees towards her torso in a highly charged yet modest gesture. Her chin pointed downwards, Ennie looks up at the camera with a slightly devilish expression; her dark hair frames her face and contrasts sharply with the blood red wall behind her. Her extra-high platform sandals form a central point of interest, framing her painted toenails.
In this steamy photo shoot, Tim Fox manages to transform a wooden chair into a highly sensuous prop. In the final image from the series, Ennie is seated on the wooden chair, straddling its back. The wooden cut-out in the chair’s back creates a dramatic frame for the feminine folds of flesh between Ennie’s open legs. With blood red fingernails, she grabs the chair and directs her heavy gaze at the camera with an impetuous resolve.
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